Licked, 2001
Thomas J Price’s practice encompasses sculpture, film and photography, engaging with issues of representation and perception, whilst also inviting the viewer to attend to the non-representational dimension of his practice. He compels them to consider how and why things are made, the reasoning behind the choice of materials, as well as how they sit within their environment. This is clearly seen in one of Price’s earliest exhibited works, ‘Licked’, 2001. In this performance piece, Price licks the walls of an exhibition space over a period of three days. Initially intended as an invisible installation, the repetitive act of licking caused Price’s tongue to bleed, leaving him quite literally painting the walls with his own blood and saliva. The performance succinctly crystallises ongoing tensions that can still can be found in Price’s more recent work; tensions between ideas of the internal and external and of communication and misinterpretation. His blood and saliva, both essential to keeping the internal systems within the body flowing are laid bare for all to see. His tongue, instead of being used to articulate words has been put to task to create an external visual language that is ambiguous enough to be open to interpretation.
"When I started licking the walls as part of the performance, I held my hands up like a frame, using them and the rest of my body to measure how far and where I'd gone. The moment I made contact with the wall, it sucked all the moisture off my tongue—so I got a bit panicked and had to re-think my strategy. I got a bowl, a flannel, a large bottle of water, and chewing gum. I chewed the gum to get my saliva going while lubricating the wall with the wet flannel and that seemed to work. Then I got about a metre in and I could see the walls getting dirtier and rougher. Not long after, I could taste iron in my mouth—it was my tongue bleeding. And I thought I could just wash it off since it was only a small amount at that stage but I must have covered another two feet or so before the marks I was making with my tongue started to look like they had been painted on with a brush dipped in red paint."
-Thomas J Price, OCULA