Beyond Measure

Price never casts his figurative works at a one-to-one scale, stating that the size variations foster an interplay with silently coded monuments that permeate society, prompting us to reconsider who should exist in that form.

Price continues to reference existing historical narratives and the western canon of classical sculpture, with ‘A Place Beyond’ (2023) he features a subtle nod to Gian Lorenzo Bernini’s ‘David’ in the formal structure of the body and sense of tension in the twist of the torso.

As a counter, Price’s self-defined figures exist outside of the colonial gaze and monumentalise the ordinary, they encompass a space that transcend the need for dominance and aim to re-establish a deeper human context.